Watch el que manda... vive enfrente (1930-1934) GoMovies. Chapter 7 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1930-1934.
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A woman, an illusion. Matilde Landeta makes come true, at her seventy six years of age, what she has waited and longed for for 40 years. In this docum...
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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and ev...
7.4152012HD
WWII from Space delivers World War II in a way you've never experienced it before. This HISTORY special uses an all-seeing CGI eye that offers a satel...
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The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding...
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Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
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A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment...
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On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tight...
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A story about the first Serbian Olympian who won bronze medal at the first Olympic games in 1896, also a world class architect.
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A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.
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The remarkable story of Earl Silas Tupper, an ambitious but reclusive small-town inventor, and Brownie Wise, the self-taught sales-woman who built him...
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In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers...
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Lumière's documents life in Palestine.
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The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in...
4.81980HD
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.